The leftmost Able projector shone onto the far right panel of the curved screen. In theatrical exhibition, the three projectors (named Able, Baker, and Charlie) were arranged likewise. The center lens aimed straight ahead, and the left and right lenses each aimed diagonally toward the opposite side. During the movie’s production, each of the three Cinerama camera lenses was angled in a different direction. Of course, it’s not a perfect simulation. But after a while, the curved effect can be quite compelling, especially when you watch it on a large home theater screen. Looking picture and may take some getting used to. The process was designed to re-create the viewpoint of a seat in the 12th to 14th rows of the Seattle Cinerama theater. According to David Strohmaier, director of the Cinerama Adventure documentary contained on the Blu-ray Disc, SmileBox was created with input from the American Society of Cinematographers (ASC) and some top visual-effects talent in Los Angeles. ![]() From its highest point to its lowest, the SmileBox image measures 1.95:1, with dips in the center. SmileBox is intended to simulate the original experience of watching a Cinerama film on a 146-degree curved screen. The process digitally bows the top and bottom of the film into a concave shape. ![]() Disc two presents the movie in a brand-new process known as SmileBox. Disc one contains a conventional letterboxed transfer with an ultra-wide 2.89:1 ratio. ![]() As for the aspect ratio, Warner chose to include two very different transfers with the Blu-ray edition.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |